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This process is experimental and the keywords may be updated as the learning algorithm improves.īakhtin, Mikhail. These keywords were added by machine and not by the authors.
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Both views converge in the assumption that censorship can foster creativity and propel literary production rather than destroy it. ual” (9) to a Foucauldian view which stresses “that power and pleasure are indivisible, that they are bound together in excitation and excitement” (7). According to Neil Sammells this redefinition of censorship can partly be attributed to a move away from a Freudian view of censorship which envisages “the relationship between pleasure and power to be conflict. In the past twenty years, however, censorship has been widely acknowledged as a more complex and differentiated phenomenon which is not necessarily the arch-enemy of artistic production but potentially its secret sharer. As such, it is an essential work for anyone interested in the development of literary theory.There is a common-sense notion of censorship as being the repressive intervention of authorities trying to curb, control, and sanction the work of authors. The reissue of this work as a Routledge Classic brings some radical ideas to a new audience, and argues persuasively for a totally new way of reading. His ideas have also led some observers to claim that he announced the death of the author fully two years before Roland Barthes' famous essay. Part of the birth of a whole new branch of post-structuralist theory, Macherey's work also influenced a new generation of critics among them Jacques Derrida, his contemporary, and Terry Eagleton.
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In this provocative work, Macherey puts the focus as much on the reader as the writer, stating that the very act of reading is a form of production in its own right, generating interpretation and meanings which are beyond the control of the author.
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"What is at stake in this book is nothing less than a dramatically new way of approaching literature, one which in its unostentatious, low key way scandalously smashes a whole range of liberal humanist icons." -Terry Eagleton Who is more important: the reader, or the writer? Originally published in French in 1966, Pierre Macherey's first and most famous work, A Theory of Literary Production dared to challenge perceived wisdom, and quickly established him as a pivotal figure in literary theory.
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